Marius Pontmercy - Wikipedia
The second time Marius and Cosette met, Cosette was transfigured and had become ravishingly beautiful. Victor Hugo describes what. Gavroche is a fictional character in the novel Les Misérables by Victor Hugo . He is a boy Gavroche's death can also remind of the death of Joseph Agricol Viala, a child hero of the French Revolution. I started seeing all the characters of Victor Hugo's Les Misérables—Valjean, Javert, Gavroche, Cosette, Marius. les mis les miserables Eddie Redmayne Marius Marius Pontmercy Cheesy Valentine Cards, Bad Valentines Cards .. Waking up meets Les Miserables. Haha Yes, I saw this and Cosette turns and looks too as her mother and the . Broadway StageJoseph Gordon LevittAaron TveitHugh JackmanLes Miserables Robert.
Gavroche - Wikipedia
This is where the two pistols finally come into play. Marius had been sitting outside, watching the first phase of the combat. He saw Mabeuf raise the flag and get shot, he saw Bahorel slain, and when Courfeyrac cried out for help he could stand it no longer. He took the final plunge into the abyss, and entered the barricade. Marius threw down his discharged pistols, and then noticed a powder keg just inside the door of the bistro.
At that point a soldier with a musket took aim at him, but a hand stopped it. It was the hand of the young workingman in the corduroy trowsers, whom alert readers will recognize as Eponine. There is no time to dwell on this now, as the events of the battle are moving at breakneck speed, but we will come back to it later. Meanwhile, the barricade was crawling with Municipal Guards. In the smoke of the battle, Marius got the powder keg and brought it over to the other end of the barricade.
He dropped it into the spot where the torch had been, picked up the torch, and threatened in a very loud voice to blow up the barricade.
Les Miserables – Everyone's Entitled to Joe's Opinion
Something in his voice caused the Guards to think he was just crazy enough to actually do it, because they all cleared out immediately. With the barricade cleared, the insurgents took stock of things. Marius asked where the leader was, to be told by Enjolras that he was now the leader. All day Marius had felt a furnace in his brain, now it was a whirlwind.
This maelstrom within him affected him as if it were outside his body and sweeping him along.
It seemed to him that he was already at an immense distance from life. His two luminous months of joy and of love, terminating abruptly on this frightful precipice, Cosette lost to him, this barricade, M. Mabeuf dying for the Republic, himself a chief of insurgents, all these things appeared as a monstrous nightmare. He was obliged to make a mental effort to assure himself that all this surrounding him was real. Marius had lived too little as yet to know that nothing is more imminent than the impossible, and that what he must always foresee is the unforeseen.
He was a spectator of his own drama, as of a play one does not grasp. They noticed that Jean Prouvaire was missing, and surmised that he must have been taken prisoner. When they heard his voice and then heard the shots from down the street, their worst suspicions were confirmed. While the other insurgents were inspecting the main barricade, Marius inspected the side barricade on the Rue Mondetour.
As he finished his inspection, he heard a voice. He recognized the same voice that had called to him at the Rue Plumet, but by this point it was merely a breath. He saw the young workingman in the corduroy trowsers lying at his feet in a pool of blood, and this time there is no doubt that it is Eponine.
Marius attempted to move Eponine but could not. Eponine showed him her hand with the hole in it; that was the hand which had stopped the bullet aimed at Marius earlier.
What follows is a heartrending scene: Nobody will get out of the barricade, now. It was I who led you into this, it was! And still when I saw him aiming at you, I put my hand on the muzzle of the musket. How odd it is! But it was because I wanted to die before you.
When that bullet hit me, I dragged myself over here, nobody saw me, nobody picked me up. If you knew, I bit on my blouse, I was suffering so! Do you remember the day I came to your room and looked at myself in your mirror, and the day I met you on the boulevard near some working women?
How the birds sang! Did you pick up your coin? The sun was shining. Cosette paid no attention to Marius, so he simply went on his way. When she spoke to him, he realized that he was mistaken.
When he saw her, he thought he may have recognized her somewhere. Victor Hugo describes her appearance as follows: A girl who was quite young was standing in the half-opened door. The little round window through which the light found its way into the garret was exactly opposite the door, and lit up this form with a pallid light. It was a pale, puny, meager creature, nothing but a blouse and a skirt covered her shivering, chilled nudity.
A string for a belt, a string for a headdress, bony shoulders protruding from the blouse, a blond and lymphatic pallor, dirty shoulderblades, red hands, the mouth open and sickly, some teeth missing, the eyes dull, bold, and drooping, the form of a misshapen young girl and the stare of a corrupted old woman; fifty years joined to fifteen, one of those beings who are both frail and horrible, who make people shudder or weep….
The most touching thing about it was that this young girl had not come into the world to be ugly. In her early childhood, she must have even been pretty. The grace of her youth was still struggling against the hideous old age brought on by debauchery and poverty. As a matter of fact, Eponine had been pretty in her early childhood. Let us rewind to this description of her and her sister Azelma at the age of three: The radiant children, attractively dressed, were like two roses twined on the rusty iron, with their perfect, sparkling eyes and their fresh, laughing faces.
One was a rosy blonde, the other a brunette, their artless faces two delightful surprises; the perfume shed by a flowering shrub nearby seemed their own breath; the smaller one had her pretty little stomach bared with the chaste indecency of infancy. She liked Marius and tried to impress him with her ability to read and write. When he recognized that she was the daughter of his next-door neighbor, this prompted him to reflect on how poorly he had treated his neighbors by not paying attention to them while he was so caught up in admiration for Cosette.
But he did not feel anything resembling love for Eponine. The third time Marius and Cosette met, Cosette actually looked at Marius, and it was all over for him. Victor Hugo describes what happened as follows: One day the air was mild, the Luxembourg was flooded with sunshine and shadow, the sky was as clear as if the angels had washed it that morning, the sparrows were twittering in the depths of the chestnut trees, Marius had opened his whole soul to nature, he was thinking of nothing, he was living and breathing, he walked by close to the bench, the young girl raised her eyes, their glances met.
Marius could not have said. There was nothing, and there was everything. It was a strange flash. She looked down, and he continued on his way. What he had seen was not the simple, artless eye of a child, it was a mysterious abyss, half opened, then suddenly closed.
There comes a day when every young girl has this look. Woe to him on whom she looks!
This first glance of a soul not yet aware of itself is like dawn. It is the awakening of something radiant and unknown. Nothing can express the dangerous chasm of this unexpected gleam that lightly glances off delicate mysteries and is made of innocence and future passion.
It is a kind of irresolute tenderness revealed by chance, waiting. It is a trap that Innocence unconsciously lays, where she catches hearts without intending to, and without knowing it.