Parody: Crystal & Goodman Meet Their Monsters - IGN
Reddit gives you the best of the internet in one place. Get a constantly updating feed of breaking news, fun stories, pics, memes, and videos just. junkgenie.info: Monsters University (DVD): Billy Crystal, John Goodman, Steve presents the hilarious story of how two mismatched monsters met and became lifelong But during his first semester at MU, Mike's plans are derailed when he . Monsters, Inc. is a American computer-animated buddy comedy film produced by Pixar Animation Studios and distributed by Walt Disney Pictures. Featuring the voices of John Goodman, Billy Crystal, Steve Buscemi, James The film centers on two monsters – James P. "Sulley" Sullivan and his .. Meet the Parents.
Mike is charming and generally the more organized of the two, but is prone to neurotics and his ego sometimes leads him astray. He is dating Celia Mae, who calls him "Googly-Bear". Mary Gibbs as Boo, a two-year-old    human girl who is unafraid of any monster except Randall, the scarer assigned to her door.
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She believes Sulley is a large cat and refers to him as "Kitty". In the film, one of Boo's drawings is covered with the name "Mary". The book based on the film gives Boo's "real" name as Mary Gibbs, the name of her voice actress, who is also the daughter of one of the film's story artists, Rob. He is a snide and preening character who makes himself a rival to Sulley and Mike in scream collection. James Coburn as Henry J. Waternoose III, an arthropodic monster with a crab-like lower body.
He acts as a mentor to Sulley, holding great faith in him as a scarer. Jennifer Tilly as Celia Mae, a gorgon -like monster with one eye and tentacle-like legs. Celia is the receptionist for Monsters, Inc.
Full Cast & Crew
John Ratzenberger as Yeti  a. The Abominable Snowman,  a furry white monster who was banished to the Himalayas.
Dan Gerson as Smitty and Needleman, two goofy monsters with cracking voices, who work as janitors and operate the Door Shredder when required.
Bonnie Hunt as Ms. Flint, a female monster, who trains new monsters to scare children. Samuel Lord Black as George Sanderson, a chubby, oranged-furred monster with a sole horn on top of his head.
Billy Crystal and John Goodman Meet Their Monsters
A running gag throughout the film involves George repeatedly making contact with human artifacts such as socks and the like which cling to his fur via staticprompting his scare coach to trigger "23—19" incidents with the CDA resulting in him mobbed, shaved bald, and sterilized.
He is good friends with Pete "Claws" Ward. Phil Proctor as Charlie, George's assistant with sea-green skin and tendrils for limbs. Joe Ranft as Pete "Claws" Ward, a blue monster with razor-sharp claws and horrifying breath. Development[ edit ] When production began in earnest on Monsters, Inc.
The idea for Monsters, Inc. I knew monsters were coming out of my closet when I was a kid.
Monsters, Inc. - Wikipedia
So I said, 'Hey, let's do a film about monsters. Docter pitched the story to Disney with some initial artwork on February 4 that year. He and his story team left with some suggestions in hand and returned to pitch a refined version of the story on May Each monster represented a fear he had, and conquering those fears caused the monsters eventually to disappear. Sulley's eventual sidekick, Mike Wazowski, had not yet been added.
As the story continued to develop, the child varied in age and gender. He feels envious because another scarer, Ned who later became Randallis the company's top performer. Docter would later describe that the team "bent over backwards trying to create a story that still had monsters " while still solving the problem,  A key moment came when the team decided "Okay, he's the BEST scarer there. He's the star quarterback" with Docter noting that before that moment "design after design, we really didn't know what he was about.
The idea was later largely rejected, as it was thought that audiences would be distracted by the tentacles. Sullivan was also planned to wear glasses throughout the film. However, the creators found it a dangerous idea because the eyes were a perfectly readable and clear way of expressing a character's personality; thus, the idea was rejected. A term coined by Lasseter, a "story summit" was a crash exercise that would yield a finished story in only two days.
Development artist Ricky Nierva drew a concept sketch of a rounded, one-eyed monster as a concept for the character, and everyone was generally receptive to it. He considered it his first experience in writing a feature film. He explained, "I would sit with Pete [Docter] and David Silverman and we would talk about a scene and they would tell me what they were looking for.
I would make some suggestions and then go off and write the sequence. We'd get together again and review it and then hand it off to a story artist. Here's where the collaborative process really kicked in. The board artist was not beholden to my work and could take liberties here and there.
Sometimes, I would suggest an idea about making the joke work better visually. Once the scene moved on to animation, the animators would plus the material even further. He screen tested for the role and was interested, but when Pete Docter was unable to make contact with him, he took it as a "no". Goodman interpreted the character to himself as the monster equivalent of a National Football League player.
Animation[ edit ] The "door vault" scene is one of the film's most elaborate sets. In Novemberearly in the production of Monsters, Inc. He faced a difficult challenge, however, in dealing with Sulley's sheer mass; traditionally, animators conveyed a figure's heaviness by giving it a slower, more belabored movement, but Kahrs was concerned that such an approach to a central character would give the film a "sluggish" feel.
And since you have to either work there, know someone who works there, or get an invite to go there, I jumped at the recent opportunity to make the trip to Emeryville, Calif.
When their journeys both prove to be a bit more complicated than they anticipated, they find help and friendship in the unlikeliest of places. Check out what he had to say after the jump. Were there several attempts, in the past, to get another movie made? It was about nine years until they decided to do it. It took about three years to make this. And it was hilarious! They value the story here. They value telling the right kind of story. This is a different movie.
Was it easy to get back into character? Yeah, because I work with John [Goodman] together, in the studio. We just looked at the first movie for a little while. But, to place them in that time in their lives, we talked a little bit about it. We had storyboards, which showed us slightly thinner versions. We just approached it that way. Is there a trick to sounding younger and thinner? Boy, I wish there was because we could make a lot of money. No, it was just was more of an attitude, in what they wrote and how we hit the lines and a certain enthusiasm.
How easy was it to get back together with John Goodman and throw things off each other? Was it that way, from the very first time? Well, I went to work on the first day and his stuff had already been recorded.
Is he not here? So, falling back with John was like putting on a pair of old slippers. What kind of student were you in college? I, I was always looking for something else to do, most of the time, until I got into the acting program.
Then, I really found myself. But, that was true through high school, too. I knew what pretty much everything was. I could study last minute and get a solid grade. Nobody was who they were yet, you know?Monster's Inc Blooper
Oliver was a little older, I think, and then he left quickly and went in the Army. He was a graduate student, but he handled all the production classes and all the history classes. He was a very intimidating young guy with hair to his shoulders, granny glasses and a big thick beard, making his first movie.
He drove us, always. We had lousy equipment. We had these turret lens cameras. And he was always talking about telling the right story and where the camera should be, at that moment. That was his big thing. The history of film was a great class with him because we watched movies and he would talk about them. Did you feel that way before this? Yes, I felt it when we made the first movie.
I just fell in love with him. What I loved about coming back to him was that I got to play him at a special time in his life. I got to play him at 18, or so. And I totally relate to him. And then, when he handles disappointment, he handles it really well and he finds a way out.
I think that makes him an adult.
How special were the lake scene and the cabin scene to do? I loved the funny, but when those moments happened, I was really very pleased. I have to say that I was moved because they stopped feeling like animated characters to me. They really felt like real people, or real monsters, with hearts and souls.